Matthew Weiner´s successful American TV series, Mad Men (2007), set in the 1960s in New York, unmasks the private and the public spaces of the home and the office. In these spaces, not only do the masculine protagonists interact, but also several feminine characters do as well. The three female characters (Betty, Peggy and Joan), who will be analyzed, represent the female stereotypes of this period: the idyllic housewife, the Sandra Dee prototype and the bombshell Marilyn Monroe archetype. In comparing the private and public spaces of the home and the office, these women´s sexuality and submission will be affected and influenced by the spaces they inhabit
When Mad Men first aired in the summer of 2007, it was more than just a television series with the u...
For seven seasons, viewers worldwide watched as ad man Don Draper moved from adultery to self-discov...
In “Learning to Live with Television in Mad Men, ” Horace Newcomb argued that Mad Men serializes “so...
Matthew Weiner´s successful American TV series, Mad Men (2007), set in the 1960s in New York, unmask...
I would like to unpick one of the areas Mendelsohn holds up for criticism: the representation of wom...
Die AMC-Serie Mad Men hat für ihre Darstellung der 50er und 60er Jahre des 21. Jahrhunderts sowohl L...
Mad Men (AMC 2007—), a critically acclaimed television series set in the midst of the prosperous New...
For a show called Mad Men, much of the critical scholarship surrounding the hit AMC period drama rel...
Maryn Wilkinson contends that Mad Men affords its female characters the potential for great transfor...
This project examines the ways in which power circulates and moves in AMC\u27s show, Mad Men, using ...
This thesis explores enduring cultural responses to the notion of a true self through a\ud close rea...
The topic of this thesis pertains to how female characters are portrayed in the American period dram...
Memories by Mad Men: Cultural Memory, Television, and early 1960s Domesticity, is an interdisciplina...
This article explores crucial concepts of Stanley Cavell's moral perfectionism by asking: what does ...
As an epitome of postmodern television, Mad Men engages in narrative breaks, non-linear storytelling...
When Mad Men first aired in the summer of 2007, it was more than just a television series with the u...
For seven seasons, viewers worldwide watched as ad man Don Draper moved from adultery to self-discov...
In “Learning to Live with Television in Mad Men, ” Horace Newcomb argued that Mad Men serializes “so...
Matthew Weiner´s successful American TV series, Mad Men (2007), set in the 1960s in New York, unmask...
I would like to unpick one of the areas Mendelsohn holds up for criticism: the representation of wom...
Die AMC-Serie Mad Men hat für ihre Darstellung der 50er und 60er Jahre des 21. Jahrhunderts sowohl L...
Mad Men (AMC 2007—), a critically acclaimed television series set in the midst of the prosperous New...
For a show called Mad Men, much of the critical scholarship surrounding the hit AMC period drama rel...
Maryn Wilkinson contends that Mad Men affords its female characters the potential for great transfor...
This project examines the ways in which power circulates and moves in AMC\u27s show, Mad Men, using ...
This thesis explores enduring cultural responses to the notion of a true self through a\ud close rea...
The topic of this thesis pertains to how female characters are portrayed in the American period dram...
Memories by Mad Men: Cultural Memory, Television, and early 1960s Domesticity, is an interdisciplina...
This article explores crucial concepts of Stanley Cavell's moral perfectionism by asking: what does ...
As an epitome of postmodern television, Mad Men engages in narrative breaks, non-linear storytelling...
When Mad Men first aired in the summer of 2007, it was more than just a television series with the u...
For seven seasons, viewers worldwide watched as ad man Don Draper moved from adultery to self-discov...
In “Learning to Live with Television in Mad Men, ” Horace Newcomb argued that Mad Men serializes “so...